Showing posts with label Willy Wonka. Show all posts
Showing posts with label Willy Wonka. Show all posts

Friday, 17 August 2012

Makers of Miracles

Let's just say, I won't be finishing Mr. P's book prior to Wednesday. I'm about 350 pages away. And I've been distracted. But, let me go back in time a wee bit first...

I think June is a good time to begin.


It was a loverly June morning for Luke and I. With the other kids on the bus, Luke and I started our trip to Stratford. I had taken him to the Island to see The Bench (picture above).  But, Luke found something far more exciting than a bench. 
(6 weeks later, when I took Luke back to see Henry V, he pointed out Tom Patterson Island. That night, we didn't have time to stop. He also pointed out Tom Patterson Theatre.)

The reason for our early trip to Stratford, was because 2 other moms and I were asked to be a part of an interview of sorts about how to have our children be involved, take part, in the theatre, and about the wonders of Stratford itself. I wished I could have lived out this day prior to the interview, because this was quite possibly, the best day I have had to date in Stratford.

For about an hour, Lisa D-C, Mara S, and myself, along with Lisa M from Stratfest (and the attending cameramen) discussed theatre. What a glorious hour it was! I felt uplifted, inspired. What an absolute joy it was to share that time discussing 2 of my favourite parts of my life - my children, and the magic of theatre, Stratford Festival specifically. We laughed until our sides hurt. I wish I could see the blooper real. One part about taking my teenage son to his first "titty show" [Grapes of Wrath - read the book] was my favourite. I wondered why Dakota took to that show so much.

If interested (and you should be, if you have children, or love theatre, and Stratford): http://www.youtube.com/watch?v=qymNR0HEBbk&feature=plcp. The videos are a great watch. Have fun - let me know what you think. I noticed I have trouble speaking in complete sentences.

After the interview, we ate at Boomers Fries who make gourmet fries/poutine. Amazing, and I don't eat fries, usually, but I made an exception to my rule.  It was worth it. SO good.

We saw, "You're a Good Man, Charlie Brown" again, and again, I cried. I think that play speaks to the innocence of childhood - something that was lost long ago. Parts of growing up sucks.

We spent 90 minutes (not even close to enough time) in the Exhibition, learning about Stratfest's history (and me being a history major was enthralled): costumes, sets, a monkey...it was awesome. I must go back, by myself, and ask the other 80% of the questions that were in my head. We sat on original Stratford Festival seats! 
We drove down to the Festival Theatre and more tree climbing...and ducks. Lots of baby ducks. I discovered Luke has a great eye for photography. There were some photos I still am not sure if he took them, or I did. Either way, they are good!





Luke also had the trees. I dare say, Luke would go to Stratford just to climb the trees along the Avon. I know he would. We walked (and climbed) up and down the river for close to 3 hours. I don't know how many trees that included, but I can say that Luke 1) didn't fall and 2) his clothes came home with no rips, tears, nor grass stains.  He's a pro.

We met a wonderful couple to retired to Stratford 3 years ago. I wish I could remember their names. They had come down to the river to hear the music on the barge. I had not heard of this barge before. They played big band!! It was heavenly. The 3 of us talked about Stratfest, our histories with theatre, big band music (they could cut a rug!), midwifery, and how great it was to bring Luke to the Festival while so young. Another hour discussing theatre...such a great day - but still not the highlight.

The highlight started when Cymbeline began. Luke sat up in his seat. His ears perked up. He was entranced. Did he understand the show? Not entirely.

He invented a genius way to ask me questions without bothering other patrons around us. He rolled up the programme, put one end to my ear, and asked his questions in the other end.  It worked very well.

Cymbeline is magical. It is brilliant. It has the best fight scene I have ever seen. It had shirtless men. Yes, the perfect show.  Luke sat still the entire 3 hour performance. He loved every minute of it. So did I. As much as I loved the show (and I still have to see it again), watching Luke watch his first Shakespeare play and be so enveloped in it...that was my favourite part. The swords helped, too. And the bows and arrows.

I took Luke to the stage door when the show was done. Wow. I didn't expect what happened next.



That is Luke. Holding a severed head and a bloody sword, with Graham Abbey (Posthumous, and one of the Shirtless Wonders). This wonderful man, at the suggestion of a friend of his at the stage door, brough Luke (and I) backstage. I was in awe. Luke? I'm not sure if they have a name for the emotion he had right then. He was shy but so polite, my son. When Graham told him he started at Stratfest when he was Luke's age, I'm pretty sure something clicked in Luke's soul.  He has a dream...

We saw the scenery be taken down, crew in the back grabbing clothes for the laundry, Jupiter's ride (go see the show and you will know what I'm taking about). Luke also became a Roman soldier:

As we walked out the stage door, I saw John Vickery (one of my favourites at Stratfest). He was very kind (he was in Titus last year, along with a local Simcoe boy who played Lucius). We saw and spoke with Ms. Cara Ricketts last. She was so incredible with Luke. We had a great talk about him being in Willy Wonka...and worms. (We won't talk about worms here)



If Tom Paterson was the Maker of Miracles, these fine actors are keeping that dream alive. I thank them for that.

On the list of top days of my life, this day is included. I couldn't have asked for anything more. I don't think I could have felt anything more. My cup was full. Luke's was full. His adrenaline from holding the swords lasted until about 20 minutes into our drive. I think I still feel mine.

Since that time, I started a Kids4Bard group. We are taking a Shakespeare play and breaking it down. We started with A Midsummer Nights Dream. We did costume study. We designed sets. Our group has grown to 10 kids and adults. The kids are having fun. One of the midwives I work with brought 2 of her girls (5 and 20-something, Emily and Amanda). Amanda graduated from Emily Carr out in BC. I was so grateful she came to share her talents with us. Sharon (her mom) has great talent, too. I would not have known if it were not for Kids4Bard.

Braeden had his day in Stratford seeing Henry V. But, that is another story for another blog. As is Henry V that we saw this week. And my new book.

Tomorrow, Cordelia and I are having a Girl Day - no swords shall be mentioned. But, if I do not get to sleep soon, I will be grumpy .... No, not a chance. Tomorrow will be making more dreams come true.

Saturday, 28 July 2012

25 Days and Counting

I am going to see A Word or Two in 25 days. It will be a day by myself in beautiful Stratford. A treat, to be sure. A trip to the Exhibition is in store, too.

It's been far too long since I solemnly declared that I was back. It is a busy household in which I live. My younglings in Willy Wonka were fantastic. Luke, as Mr Bucket, and josh, as Charlie Bucket, brought the house down each night with their swinging duet of, "Think Positive.". Or, at least made me cry each show...

Cordelia was an Oompa Loompa. She had that certain je ne sait quoi. Claire, the director, said after most shows, someone invariably would come up to her and say, "Who was the one Oompa...?" "That would be Cordelia." She put her heart into each song each performance. Which is saying something, too, because the week it opened, she had 2 dress rehearsals (ballet included), a preview, show Friday & Saturday night, matinee Sunday then ballet recital Sunday night. I had no idea they were going to be the same weekend. They also had 2 shows Tuesday and Thursdays for the local schools. She rocked it every night.

I became the unofficial photo-documenter of the rehearsal and shows for Willy Wonka. Thousands of pictures. I loved it.

Dakota was also on stage at school. He was in The Music Man and The Laramie Project. I loved both, but Laramie was exceptional. Dakota's best friend at school is lesbian. Her sexuality is not an issue at their school. Awesome. Not so in Laramie. It was heartbreaking.

Braeden also made his flute debut at the spring concert. He has a gift. I can't believe he was only playing since February. I played for year's before I sounded that good.

I became an official photographer for the local SNAP newspaper (Halimand/Norfolk). No pay. No matter. I'm having a blast meeting people, going to social events. My intrepid assistants usually attend with me (younglings). I'm having a blast.

I have been published a few times, too. In yummymummyclub.ca and for TheSilo.ca. Check them out (ie google).

I have been to a few shows in Stratford this season. I wish I lived closer and could go more. So far, I have seen: You're a Good Man, Charlie Brown, Cymbeline, Pirates of Penzance, 42nd Street, Machomer, and Henry V. I can't pick favourites. Sorry. Singing men vs Shakespearean men? That is far too close to call.

But, I love men who can sing.

And recite Shakespeare.

See my issue?

Cymbeline was awe-inspiring. The best fight scene I have seen to date. It was exquisite. Luke and I went to the stage door where Graham Abbey proceeded to give Luke a tour of backstage (and I) including holding the bloodied sword, a cut-off head, and seeing the crew start to change the scenery from one show to the next. We also saw the laundry being taken to the wash. Every part of a production is important. The acting is only what we see.

The kids and I also started a group I've named, Kids4Bard. Where the idea germinated was from Bard on the Bus. They are a travelling group from Driftwood Theatre who visit towns and cities to perform. This year was A Midsummer Night's Dream. My favourite! And Lear.

My idea was/is to take a play and break it down. We started with characters. Then we did scenery. I want them to see something other than the final acting performance.

We read about them and designed costumes based on what we learned. Braeden also designed a now and sword. They looked great.

On our second night, we had 3 others join us: Sharon (one of my midwife co-workers), and 2 of her daughters (one 5, the other over 20 who went to Emily Carr for art). They helped us with our scenery and our paper dolls.

Instead of us acting them out, I thought we'd start just acting with the puppets.

We didn't get done as much as I would have liked, but on July 19, we took or sets (on bristol board), and people that were finished or cut out, to see Driftwood's production. Dakota and Braeden volunteered as ushers. We added another child to our numbers, too. It was great.

The show was spectacular. It was a musical. A brilliantly acted and sung musical. I can't say enough good a out it. I ordered the cd and bought a shirt. I love men who can sing. Oh, sorry. But they were SINGING Shakespeare!

We spent what was supposed to be a few minutes with the cast, but turned out to be around 20 minutes with most of them. They loved the sets and our "cast" of dolls. I was told by a few of them that it was great to be doing this with them. If they weren't interested , I wouldn't be doing it with them.

One of the cast is an assistant fight director (swords) who Braeden immediately loved, of course. It was a wonderful night for all of us.

Kids4Bard is now on twitter and Facebook. Follow if you would like. We are open. Also, we have the gmail account Kids4Bard@gmail.com.

In there, I also took part in a webinar with the RSC about teaching Shakespeare to kids. I learned so much. Most importantly, I learned what I had to do to get out of myself to help the kids. Namely, as the wonderful Sean Arbuckle would call, movement (not dancing). In time, we will get there.

My kids have also been sending questions to the Stratford Q&A's on Facebook. We have learned so much! It's been great watching the wheels in their heads turn to think of something new to ask. Nya:weh to Lisa and Christi for reminding me of the days and members.

Which brings me back to my 25 days. I am reading Mr P's book again. I will blog everyday about what I read. The last time, I looked for authors and actors, this time will be on Mr Plummer himself.

Tonight's reading showed me that I am not related to him on my maternal grandmother's side. My dad's family is from Quebec and the Jesuits knew how to keep records! We will see what happens when I do my paternal grandfather's side.

Mr P is an only child with much maternal/womanly influence on him. But this influence also included an aunt who was a world leader if congenital heart defects in the early 20th century. These women were not passive. They were acclaimed sportswomen, too. And well read. Very well read.

They were rich. They went to concerts, and theatres. They listened on the radio to operas from the USA. Such a simpler life than 100 cable stations which show rare value.

Reading this book has not only inspired my love of reading, but in turn, is helping my children's love of literature grow. Kids4Bard has been a great past time for them, for us, this summer. I'll continue as long as they want.

And Braeden will love to read Mr Leacock (whose book I have misplaced, again). He loves the oddness of life. The books will be perfect for him.

Monday, 30 April 2012

I'm ba-ack

Long time, no write.  To say life got in the way, would be true, but also a cop-out. This blog is cathartic for me, even if I haven't opened my soul much in the lists of authors, actors, and anything else from Mr. P's book.

I have started reading one of the books from the long list. For my birthday (plus 2 weeks for shipping), I was given, "Nonsense Novels." by Stephen Leacock. I'm almost done (it reminds me of the small-size books I read as a child).

What have I been doing the past month? My oldest son was in The Music Man at his high school. He was in the chorus and had a great time. There were many rehearsals, on the opposite nights of the younglings' Willy Wonka rehearsals. Mondays through Thursdays were gone.

I started reading "Nonsense Novels" during Willy Wonka practises, but I found out I need a book in my hands - to smell the paper, to smell the ink, to underline and dog ear (Sharon would be so mad at me!). I stopped reading until the book came in. I've read half the book twice now. I cannot wait to share it with my children. Seeing as Youth Arts Week begins tomorrow, the 'something new' I challenged people to do with youth everyday for the next 7 days, will be reading "Q" to them. It's quite a funny story about phantasms and brokering a deal between the 2 worlds.

I also (finally), made it to an Art of Time Ensemble performance, "Russia in Exile." I have been volunteering with them for 3 seasons now. It's the other 'cultural' thing I do outside Stratford Festival. Andrew Burashko is the genius behind this musical vision. His plan was to make classical music accessible to those who wouldn't usually attend such things. It was here where I was first introduced to Lucy Peacock (of Stratford fame), the music of Bernard Herrman, as part of their incredible, "War of the Worlds" evening - where they portrayed the play as a radio show, complete with a foley artist. All my kids saw that. I do believe that was the first 'cultural' even they have seen, on that scale (they went to Stratford last year, but that's on a much larger scale).

The first half of the show, my mind wandered. The film by Tess Girard was splendid, but still my mind wandered. I spent the rest of the first half thinking about why I like theatre better - it forces you to not think about yourself, to be involved with the emotions of the characters on stage. When 'just' listening to music, my mind wandered. Until the 2nd half.

It was very hard to hear the first of the two shows I volunteered for that weekend. There was one particular composer, Glinka that actually hurt to hear. Andrew, the first night, warned us that it was haunting.  That was an understatement. The chords sounded like nails on a chalkboard to me.

I wondered why, not in a mind-wandering way, but in a search the soul-of-the-music way. It really didn't take me long to discover, but I didn't want to agree. The music, the waltz that weaved itself in and out of that piece, kept me in check. That piece had 4 violins, piano, and clarinet. The clarinet was wistful, constant, and drove the piece.

The violins - there seemed to be no 'first' violin. They each took turns starting a phrase, with the others following suit, finishing, and bringing it back to the start. The piano's part was pushy, pushing, and angry at times. The whole piece seemed disjointed, but it was beautiful, but I fought hard to not let myself notice.

You see, in September we had a house fire. Then our car died. Then we separated. Then a flood at the new house. Then Jeff's dad died. Then another flood the day before the funeral. Our lives were disjointed - but we journeyed on.

I guess you could say I felt like the clarinet - springy, constant, the driving lines/force in the family. The violins were defintely the children - fighting each other, fighting me, fighting Jeff. Our community, the children's schools, our church, our larger community (including the Stratford Festival) were like the piano. It was their support that gave us our base, our hope when we had, literally, nothing but the clothes on our backs.

The song ended with a soulful melody, a hopeful melody, by the piano.

I wished I had a tissue. I was crying because of that ending; crying because I don't know if I'm there, sad because I don't know if I'll ever really get there; sad that we might be there and I not know it.

When I think of that composition, it is the clarinet's melody that stays with me, and the memory of hope at the end.

If we don't have hope, then what are we fighting for?

The second night, I brought Braeden (14) with me help with the merchandise table and listen to the magic of the music. Amy, another volunteer, told Braeden she knows someone who makes swords for a living...but that is a story for another time.

What does this have to do with, "In Spite of Myself?" Everything. The book is about the art around him - the art of words, the art of music, how the arts stir the soul, and make life worth living.

So, inspite of MY reading, my blog tonight is about the power of music. How, that even if you fight it, despite you fighting it, you can always get a message written just for you, by a composer decades ago.

I will get back to regular posting. There are stories from Mr. P's book I still need to discuss. There are hundreds of books I still need to read.

But tonight, I started with my heart. It has been disjointed. It has felt like I was the nail scratching down the chalkboard, or that I was the chalkboard being scratched. Does it matter? No. What matters is that we are still here. We are strong.

And, we have hope. I have hope of a life worth living - a life with culture because it is, as Kevin Spacey says, "culture is the magic of our experience." It's magical but you do the soulsearching to find their meaning.