Here I am, in Montreal on my computer. We did a quick walk of Old Montreal and my heart longs to go back. That will be done tomorrow, after the Indspire Conference is completed. http://indspire.ca/soaring Anyone want to volunteer to be a tour guide?
I still need to write a blog about my final trip to Stratford, with my friend, Mary. It was a perfect day in many ways. I finally say Much Ado, then cracked ribs laughing at The Matchmaker again. Maybe I'll do it tomorrow...or on the train back home on Wednesday.
60 Things I Learned This Season, in no particular order:
1 Buy early - I would have missed A Word or Two
2 There's enough on Stratfest's website to keep one happy over the winter.
3 Yes, one musical can change a life (Cordelia & 42nd Street).
4 Stratford employs wonderful people, on and off the stage, who almost always go that extra mile
5 Actors can improve a show over a matter of even a couple of weeks
6 Not enough praise goes to the costume designers or set designers or lighting designers or...
7 The look of the play can change dramatically from the first press shots to final stage production (ie - pictures of Sean Arbuckle as Pirate King, and Kyle Blair, are nothing like what ended up in the show).
8 Pay grade: Christopher Plummer is up here - everyone else is down here (Q&A with Sean A after 42nd Street)
9 Kids get Shakespeare when they see it better than when they read it (Luke at Cymbeline - 1st Shakespeare and he loved the entire 3 hours. He was 10 at the time).
10 Dressing kids up to see a play does help them to behave better.
11 Actors/actresses love knowing children are getting into the arts and will help them as much as they can with encouragement or answering questions
12 Dakota is the most shy child I have - he wouldn't go on camera for the Kids REact video.
13 If you don't ask, the answer is always no. Just ask!
14 A man should love and honour his girlfriend/wife as Cornelius Hackl does of Ms. Milloy
15 A good sword can be used in multiple plays and have a grand effect
16 Cymbeline - I doubt another Shakespeare play will ever attain this level of perfection again - but it will be fun trying
17 Bring kids to a beautiful spot to tell them news that may change their life forever. In that way, they will have a peaceful spot to remember the news (see blog on Hirsch)
18 Actors have an inner strength I can't understand (see Hirsch, but also Claire Lautier as Tamora in Titus from last year)
18 Everyone who works at Stratford makes it a success
19 Henry V- I didn't know one could ever miss a play, like a friend who moves away
20 Artists on Broadway help younglings reach for bigger dreams
21 Security on the Armouries is TIGHT but necessary!!
22 Question and answer moments on Stratfest's facebook helped us to learn a LOT
23 The Q&A's helped me to come up with Kids4Bard
24 One can act a really good French accent
25 Christopher Plummer can act, and has the best command of the English language I've witnessed
26 Going to a play alone is sometimes a good thing, but talking about a play with a child or friend afterwards may be necessary
27 Seeing other people's struggles onstage helps to bring my own solutions into focus (Wanderlust)
28 Hobbies for actors include: sewing, horse racing, and making perfumes (among others)
29 Happiness is reconnecting with a parent you thought you wouldn't feel close to again, ever
30 Stage Door meet & greets are always better when I'm with a child or a friend (I doubt I'll ever do one by myself, even if it was told me to I should - I'm too shy and would feel like a stalker)
31 Men who sing are fantazmazing.
32 Even the simplest of plays can be transformative (Charlie Brown)
33 I am completely jealous of women who sing (Ms. Peacock and Ms. Hutton)
34 Actors think Elvish is cool (Braeden feels like he found soulmates)
35 A man should do what you ask if they want to feel worthy of you (see Cornelius and Barnaby in Matchmaker)
36 Everyone remembers Cordelia.
37 Shirtless Wonders is a list which should grow every year.
38 Cara Ricketts is a wonderful human being - Cordelia wants to adopt her as a big sister she will never have
39 Closing night performances rip your heart out
40 I don't have a before/after theatre in my life - it's just always been there (thanks for helping me realize that, Josh)
41 building up A word or two to grandiose heights - and what I got out of it most was memories of my dad, and feeling like I was wrapped up in my favourite blanket
42 Tom Patterson Theatre is my favourite theatre
43 Backstage crew work long hours, after actors leave for drinks
44 Even a chorus girl can be a star
45 Nell and Pistol will stay with me forever - best love story of the season for me
46 I need Wanderlust on my ipod
47 Stratford Exhibition is one of my favourite places in the entire world - one day I'm going to retire there to volunteer
48 In first seasons, actors would stay with local families while the plays were going on (Sir Alec Guiness included)
49 It took around 14 hours to get costumes repaired and ready for 42nd Street's next performance
50 That look I saw in Cara's and Steve Ross' eyes... I got a glimpse into their hearts (see previous blogs)
51 Actors need to project at all times in case their microphones stop working
52 My kids really do love the theatre
54 I want someone to treat me like Cornelius wants to treat Ms. Milloy - every woman deserves that
55 Words are spectacular beings in their own right - how they are said, and how you receive are 2 different animals - domesticated or wild
56 We all need an adventure in our lives (I need to find that last monologue from Matchmaker and memorize it)
57 Introspection is rarely unfelt pain, but necessary to feel to get to where you want to be, or be who you want to become
58 Theatre creates safe zones for people (friends, strangers, family) to share their most intimate emotions, without fear of retaliation or of not being heard
59 Festival Theatre backstage is huge
60 Theatre can make you laugh as much as it can make you cry, but only if you open yourself up to your own emotions
I thought 60 would be hard to come up with, but I found I deleted some to add others. I may still have another 60 in my head...
Showing posts with label Sean Arbuckle. Show all posts
Showing posts with label Sean Arbuckle. Show all posts
Monday, 5 November 2012
Monday, 8 October 2012
A Day with Braeden, Pirates, and Cymbeline
Braeden loves swords. He has loved swords since before he could walk. He used to sword fight our Malamute's tail when he meandered by him. No one else could do that with Nanuq. Just Braeden.
When I saw Cymbeline with Luke earlier this season, I knew this was a production Braeden had to see. This was not a Braeden would just get a kick out of it production. He needed to see the fight scene.
My mom wanted to help this day be special to us, so she gave us money for rush seats to a matinee. Braeden had to chose between, "Much Ado About Nothing" (which I still have to see) or "Pirates of Penzance." I fell off of my seat when he chose Pirates. I didn't complain, mind you, but I would have bet money that he would have chosen anything but a musical.
I'm a sucker for a man who can...oh nevermind, I repeat myself.
I repeat myself.
I think Braeden eventually enjoyed the show. He didn's sleep much the night before. Do teens ever get enough sleep? To be honest, he did start to nod off, but the Major General song woke him up for good. He was quite impressed with the extra verses regarding Stratfest's 60 years. It was a great moment in the show.
True to form, the men and women sang their hearts out. Amy Wallis is devine. Kyle Blaire gorgeous and perfect as the Slave to Duty Frederick. Sean Arbuckle is quite the sexy Pirate King (up there with the Dread Pirate Roberts and Jack Sparrow). Gabrielle Jones, in my opinion, steals the show, as she does with 42nd Street. She is a force to be reckoned with. Amazing job. What I would give to be able to sing like that - or even closer to that!
The family who sat around us were great. They had 2 small children. The grandmother played Nell in a production (and her husband was a stage hand) in Pirates when they were younger. She sang as we were all leaving and I complimented her. She apologized for it. I have been told far too many times these past years to stop singing - no one will ever be told to stop around me, only complimented. She had a gorgeous voice.
We went to the stage door and talked with new people, Mark Cassius and Kyle Blaire. Mark was in Jesus Christ Superstar. Look him up on twitter - his tweets are always positive influences on my day, without fail. I'm glad I told him so. Life is too short to not give sincere compliments to people.
Kyle Blaire was ever so much taller than I thought he would be. He was so kind to Braeden and I. I made sure to tell him about how much 42nd Street influenced Cordelia with her tap dancing (she now practices her math flash cards, with her tap shoes on...she has me play Stratford's 42nd Street videos off of youtube...when she gets a question correct, she taps to the music....I really need to tape her doing it). I hadn't realized how dreamy Kyle Blaire was before. Perhaps I need to look at and stop just listening?
I will admit that I was high on men singing Saturday afternoon. I remember myself talking about 'men who can sing' ad nauseum...poor people who were listening to me - and Braeden. We made a quick stop at the Exhibition again. The woman working was the same woman from Braeden's birthday trip there. I really have loved, and continue to love, every Stratford employee I have met, on or off the stage. How do they find such treasures?
We meandered around the Festival Theatre Store for a while, where I picked up last year's programme (which Cordelia feasted on, picking out anyone she knew, figuring out what else they were in, finding her favourites - Cara Ricketts and Stephen Patterson). I didn't realize how many shows I missed last year, and how lucky I was this year to see so many. I am so blessed to be in the twitter club, and have generous parents, and win a contest or two. I'm glad my gas is cheap on the rez.
Now, Cymbeline has been built up by me to Braeden since June 9. I'm sure Braeden became sick of me telling him how great it was and how he needed to see this fight scene. I hoped I didn't build it up too high.
It turned out, I didn't build it up enough.
Here's my boy ready for the show:
If you look up "mytimeatlast" on youtube, you will find 2 videos of Braeden from last season, when we saw Titus. My son grew up. He loves to wear suits. He wears one to school every Friday (he sings Barney Stinson's song, too, "Nothing suits me like a suit.")
I'm not sure how to write about my experience at Cymbeline. The production had morphed these past 3 months into a new show. It was the same actors and actresses, but it was a new show to me.
And I, even I who am a sucker for men who can sing, honestly could only say after Cymbeline, "Sean who?" Men singing seemed trivial compared to what I experienced with Cymbeline that night. It was extraordinary. I love musical theatre, I grew up on musical theatre, but that night, it was the beauty and strength of words, of full-hearted acting...I'm not sure how to explain it...
If Christopher Plummer wrote A Word or Two for people to 'get' into language again, to learn and fall in love with words, to expand our minds away from the digital age...this is what he meant. We were all changed by it that night.
I've never experienced anything equal to it. We had the lovely Monique Lund beside us, and hearing her gasp, clap and laugh was great. But it wasn't just her...it was all of us...
All of us in the theatre that night had an experience I wonder if it will ever be repeated. I felt the energy of the audience move up and down...be dangled by a string, and crunched like a bug. Maybe people who go to the theatre more than I have felt it before, but to me, this was a singular experience.
It was magic.
Being the final show, they gave it their all. Cara was phenomenal (a description even the new AD, Antoni Cimolino agreed with when we spoke after the show). I saw a new attack on the language in the play from her, a new power I haven't seen from from her before. She was, like Gabrielle Jones, a force to be reckoned with. I was completely floored. Comparing this to previous Cymbeline and to The Matchmaker - her Innogen was a stunning transformation. She had us all eating out of her hand. I gave her such a huge hug afterwards...
We also spoke with the awesome Josh Epstein. He is a great guy (have I mentioned he can sing, too?). I enjoy talking with him. I can't wait to see "The Matchmaker" again. I forgot his promised treat from me (that's if he reads my blog, if he hasn't read my blog, I owe him nothing teehee). I'll try to remember for my final show of the year on the 25th (Thank you, Mary!). He has great eyes.
I was able to introduce Braeden to a few others that night, too. They were so nice, even with the closing of, not just Cymbeline, but of the Tom Patterson this season. Graham Abbey was great and excited about Braeden getting a part in a local play -
WAIT ! I haven't mentioned that yet!? I'm a terrible mother!!
Braeden and Dakota have parts in a local production, Christmas Truce - 1914, about the peace treaty of Christmas Eve on No Man's Land. They are playing soldiers. I am SO excited and happy for them. I can't wait to see them on stage together.
We also spoke to the ever-incredible John Vickery (who I discussed Art of Time's War of the Worlds as a staged radio play later this month). He's so laid back.
I still have to officially meet Mike Shara. Dang, he is one talented human being.
Plus, when I conjured up enough nerve to introduce myself to Antoni Cimolino, he recognized me from the "Family Experience" videos I was in. I almost fell over. Like I said almost 2 years ago when I was retweeted by Mr. C, I feel as giddy as I was when Bon Jovi retweeted me. I will never meet Jon Bon Jovi, thought, so Mr. C wins.
Braeden was able to keep his hands off of my eyes so I could enjoy the Shirtless Wonders one more time (thank you all). What does it say when shirtless men is at the bottom of the list of my favourite things of the day? It means the actors, director, stage crew, lighting, music melted together into the most perfect night in the theatre I have ever experienced.
While all the shows I saw this season left an impression on me, this was the pinnacle of what theatre should be, at least, should strive to be. While it did not help me see life in a new way (like Wanderlust) nor make me cry because of pure talent (like 42nd Street), nor have me gaga over singing (take your pick), it was the most powerful 3 hours I have seen on stage. Ever.
Nya:weh to everyone involved in this night. As Braeden and I left the Patterson Theatre, coincidentally walking behind the last remaining cast member, Graham Abbey (because our vehicles were parked next to each other), I saw the behind-the-stage crew, who couldn't show up at the bar anytime soon for the drinks. I saw wonderful Marilu (Master Tailor and Cara Rickett's dresser) and her compatriots lugging arms-full of clothes to be washed, hung, packed up (what DO they do with the wardrobe after the closing night? How long will it take to put the into the costume warehouse?).
After the fight scene, I shook Braeden's shoulders like an excited schoolgirl. I dare say the look on his face after that scene was equal to Cordelia's eyes during, "We're in the Money." And I was blessed to experience them with my children.
There were 2 moments on stage which moved me to put my head on Braeden's shoulders in awe of the play, and in love with my son. If those 2 moments are the last I get to snuggle Braeden before he becomes too cool to snuggle his mom, I will be a very happy and content mom. Those moments of love are memories intertwined with our love of theatre and the magic of that night. If this is a taste of what is the future holds for Stratfest under the direction of Mr. Cimolino, it is in very good hands.
THIS is what theatre is about. It made me forget...everything. I was a clean slate coming out, with my heart intact, my head on straight, but together, my soul has been permanently expanded.
When I saw Cymbeline with Luke earlier this season, I knew this was a production Braeden had to see. This was not a Braeden would just get a kick out of it production. He needed to see the fight scene.
My mom wanted to help this day be special to us, so she gave us money for rush seats to a matinee. Braeden had to chose between, "Much Ado About Nothing" (which I still have to see) or "Pirates of Penzance." I fell off of my seat when he chose Pirates. I didn't complain, mind you, but I would have bet money that he would have chosen anything but a musical.
I'm a sucker for a man who can...oh nevermind, I repeat myself.
I repeat myself.
I think Braeden eventually enjoyed the show. He didn's sleep much the night before. Do teens ever get enough sleep? To be honest, he did start to nod off, but the Major General song woke him up for good. He was quite impressed with the extra verses regarding Stratfest's 60 years. It was a great moment in the show.
True to form, the men and women sang their hearts out. Amy Wallis is devine. Kyle Blaire gorgeous and perfect as the Slave to Duty Frederick. Sean Arbuckle is quite the sexy Pirate King (up there with the Dread Pirate Roberts and Jack Sparrow). Gabrielle Jones, in my opinion, steals the show, as she does with 42nd Street. She is a force to be reckoned with. Amazing job. What I would give to be able to sing like that - or even closer to that!
The family who sat around us were great. They had 2 small children. The grandmother played Nell in a production (and her husband was a stage hand) in Pirates when they were younger. She sang as we were all leaving and I complimented her. She apologized for it. I have been told far too many times these past years to stop singing - no one will ever be told to stop around me, only complimented. She had a gorgeous voice.
We went to the stage door and talked with new people, Mark Cassius and Kyle Blaire. Mark was in Jesus Christ Superstar. Look him up on twitter - his tweets are always positive influences on my day, without fail. I'm glad I told him so. Life is too short to not give sincere compliments to people.
Kyle Blaire was ever so much taller than I thought he would be. He was so kind to Braeden and I. I made sure to tell him about how much 42nd Street influenced Cordelia with her tap dancing (she now practices her math flash cards, with her tap shoes on...she has me play Stratford's 42nd Street videos off of youtube...when she gets a question correct, she taps to the music....I really need to tape her doing it). I hadn't realized how dreamy Kyle Blaire was before. Perhaps I need to look at and stop just listening?
I will admit that I was high on men singing Saturday afternoon. I remember myself talking about 'men who can sing' ad nauseum...poor people who were listening to me - and Braeden. We made a quick stop at the Exhibition again. The woman working was the same woman from Braeden's birthday trip there. I really have loved, and continue to love, every Stratford employee I have met, on or off the stage. How do they find such treasures?
We meandered around the Festival Theatre Store for a while, where I picked up last year's programme (which Cordelia feasted on, picking out anyone she knew, figuring out what else they were in, finding her favourites - Cara Ricketts and Stephen Patterson). I didn't realize how many shows I missed last year, and how lucky I was this year to see so many. I am so blessed to be in the twitter club, and have generous parents, and win a contest or two. I'm glad my gas is cheap on the rez.
Now, Cymbeline has been built up by me to Braeden since June 9. I'm sure Braeden became sick of me telling him how great it was and how he needed to see this fight scene. I hoped I didn't build it up too high.
It turned out, I didn't build it up enough.
Here's my boy ready for the show:
If you look up "mytimeatlast" on youtube, you will find 2 videos of Braeden from last season, when we saw Titus. My son grew up. He loves to wear suits. He wears one to school every Friday (he sings Barney Stinson's song, too, "Nothing suits me like a suit.")
I'm not sure how to write about my experience at Cymbeline. The production had morphed these past 3 months into a new show. It was the same actors and actresses, but it was a new show to me.
And I, even I who am a sucker for men who can sing, honestly could only say after Cymbeline, "Sean who?" Men singing seemed trivial compared to what I experienced with Cymbeline that night. It was extraordinary. I love musical theatre, I grew up on musical theatre, but that night, it was the beauty and strength of words, of full-hearted acting...I'm not sure how to explain it...
If Christopher Plummer wrote A Word or Two for people to 'get' into language again, to learn and fall in love with words, to expand our minds away from the digital age...this is what he meant. We were all changed by it that night.
I've never experienced anything equal to it. We had the lovely Monique Lund beside us, and hearing her gasp, clap and laugh was great. But it wasn't just her...it was all of us...
All of us in the theatre that night had an experience I wonder if it will ever be repeated. I felt the energy of the audience move up and down...be dangled by a string, and crunched like a bug. Maybe people who go to the theatre more than I have felt it before, but to me, this was a singular experience.
It was magic.
Being the final show, they gave it their all. Cara was phenomenal (a description even the new AD, Antoni Cimolino agreed with when we spoke after the show). I saw a new attack on the language in the play from her, a new power I haven't seen from from her before. She was, like Gabrielle Jones, a force to be reckoned with. I was completely floored. Comparing this to previous Cymbeline and to The Matchmaker - her Innogen was a stunning transformation. She had us all eating out of her hand. I gave her such a huge hug afterwards...
We also spoke with the awesome Josh Epstein. He is a great guy (have I mentioned he can sing, too?). I enjoy talking with him. I can't wait to see "The Matchmaker" again. I forgot his promised treat from me (that's if he reads my blog, if he hasn't read my blog, I owe him nothing teehee). I'll try to remember for my final show of the year on the 25th (Thank you, Mary!). He has great eyes.
I was able to introduce Braeden to a few others that night, too. They were so nice, even with the closing of, not just Cymbeline, but of the Tom Patterson this season. Graham Abbey was great and excited about Braeden getting a part in a local play -
WAIT ! I haven't mentioned that yet!? I'm a terrible mother!!
Braeden and Dakota have parts in a local production, Christmas Truce - 1914, about the peace treaty of Christmas Eve on No Man's Land. They are playing soldiers. I am SO excited and happy for them. I can't wait to see them on stage together.
We also spoke to the ever-incredible John Vickery (who I discussed Art of Time's War of the Worlds as a staged radio play later this month). He's so laid back.
I still have to officially meet Mike Shara. Dang, he is one talented human being.
Plus, when I conjured up enough nerve to introduce myself to Antoni Cimolino, he recognized me from the "Family Experience" videos I was in. I almost fell over. Like I said almost 2 years ago when I was retweeted by Mr. C, I feel as giddy as I was when Bon Jovi retweeted me. I will never meet Jon Bon Jovi, thought, so Mr. C wins.
Braeden was able to keep his hands off of my eyes so I could enjoy the Shirtless Wonders one more time (thank you all). What does it say when shirtless men is at the bottom of the list of my favourite things of the day? It means the actors, director, stage crew, lighting, music melted together into the most perfect night in the theatre I have ever experienced.
While all the shows I saw this season left an impression on me, this was the pinnacle of what theatre should be, at least, should strive to be. While it did not help me see life in a new way (like Wanderlust) nor make me cry because of pure talent (like 42nd Street), nor have me gaga over singing (take your pick), it was the most powerful 3 hours I have seen on stage. Ever.
Nya:weh to everyone involved in this night. As Braeden and I left the Patterson Theatre, coincidentally walking behind the last remaining cast member, Graham Abbey (because our vehicles were parked next to each other), I saw the behind-the-stage crew, who couldn't show up at the bar anytime soon for the drinks. I saw wonderful Marilu (Master Tailor and Cara Rickett's dresser) and her compatriots lugging arms-full of clothes to be washed, hung, packed up (what DO they do with the wardrobe after the closing night? How long will it take to put the into the costume warehouse?).
After the fight scene, I shook Braeden's shoulders like an excited schoolgirl. I dare say the look on his face after that scene was equal to Cordelia's eyes during, "We're in the Money." And I was blessed to experience them with my children.
There were 2 moments on stage which moved me to put my head on Braeden's shoulders in awe of the play, and in love with my son. If those 2 moments are the last I get to snuggle Braeden before he becomes too cool to snuggle his mom, I will be a very happy and content mom. Those moments of love are memories intertwined with our love of theatre and the magic of that night. If this is a taste of what is the future holds for Stratfest under the direction of Mr. Cimolino, it is in very good hands.
THIS is what theatre is about. It made me forget...everything. I was a clean slate coming out, with my heart intact, my head on straight, but together, my soul has been permanently expanded.
Saturday, 25 August 2012
"I enjoy being a girl"
I didn't have a sister, but I have a daughter. While I love my boys to tears, it is fun having a fellow female in the house. It`s not that she doesn`t love swords, but she`d rather dress up than sword fight - unless she can swordfight IN her pink, girly clothes.
I wasn`t a girly-girl. I am still not one - not the lace and bows-type anyway. I honestly did not wear any pink until I after I had Cordelia (2004). She brought colour to my world in many ways, not just clothing. I hate clothes shopping. She loves it. When we went to Value Village the other day to buy me some new, smaller, dress pants (yay), she was so patient making suggestions, and not taking offence when I didn`t agree with her choices. She`ll be great in retail when she grows up.
But, before I go into this Girl`s Day, let me tell you about Henry V, 2 days prior. It was a long day for the younglings. They had to get up at 5 to go with Jeff to London to drop off the older boys at the Youth Leadership Camp at Western.
We had some extra money that particular day, so we spent some at the Theatre Store, after bills were paid, of course. Other than the `Stratford Behind the Scenes`book, my favourite item was the magnet I am holding. The day Luke was born (July 23, 2001), a meteorite flew overhead in Ontario, and landed in Pennsylvania. I`m not kidding. http://articles.cnn.com/2001-07-23/us/flash.boom_1_meteor-showers-flash-and-boom-sky-and-hearing?_s=PM:US
We were so lucky to have a quick meet & greet with my favourite Stratfest actress, the incredibly talented, Claire Lautier. We all enjoyed meeting her, even if for a few moments. The kids were so tired (Cordelia fell asleep in the 2nd half of Henry V and missed the kissing scene - only girly part of the entire play), so they didn`t talk too much. But now, they feel they have 2 Claires in their lives - Claire Senko (their director and great friend), and Claire Lautier (Stratford Claire). They are both equally wonderful in our books. http://www.stratfordfestival.ca/OnStage/productions.aspx?id=16168&prodid=41226&id2=869
Back to Girl`s Day:
Cordelia won tickets to Stratford Festival`s `The Matchmaker.`She had me submit a picture of us at the same age, explaining why we are the perfect match.
Yep - kind of similar.
We don`t just look alike. She doesn`t have a sister. No chance one is coming her way, either. So, we are both stuck in a testosterone-filled house. Lovely.
Cordelia has taken dance the past couple of years (acro, then ballet) and she was unsure of what to take this coming year. I thought taking her to see 42nd Street on the matinee could lean her to my side (I favoured jazz).
So, with this in mind, I planned a Girl`s Day in Stratford. Just us.
The day started with a trip to the Stratford`s Exhibition (my 2nd time through). The legendary Martha Henry was presenting an hour long discussion about her career, including her history with Stratfest. She had played Cordelia - I was sad I had forgotten that, and didn`t introduce my Cordelia to her. http://www.stratfordfestival.ca/OnStage/productions.aspx?id=11162&prodid=36314&id2=1423
Ms Henry told us many stories. The one which resonated the most with me happened during her first season (I believe) at Stratford. A fellow actor (who had acted at Stratfest for seasons prior to her arrival and whose name I forget - oops) brought her to the permanent, original Festival stage. She and he sat there in the seats, looking at the stage, then relaxed. After a few moments, she said she could see the stage breathing, ever so slightly - it was as if it had been distrubed by their presence at first, then when it realized all was well, came back to life. I can still see her hands slowly moving up and down of the stage`s breathing motion - probably as much as she still remembers watching it happen. I`ll never forget it.
We were very blessed all day, starting with hearing her speak. Sitting beside us (on original under-the-tent-chairs), a woman had made room for Cordelia and I (Cordelia sat on my lap). No problem - she`s still little. We made small talk with the woman beside us who was so kind. She was FULL of information about the festival. Ms Henry had given this woman a bag of what turned out to be Stratford Festival season programmes from each season Ms. Henry had worked. (And, we also got an early peak at Mr. Sean Arbuckle, who snuck in last minute to the presentation. Stratford people are awesome - Learn! Learn! Learn!)
Our new friend turned out to be Ann Stuart, current Stage Manager for Cymbeline, but who has worked on over 70 productions. She also works with Ms. Henry at the Birmingham Conservatory. http://www.stratfordfestival.ca/OnStage/productions.aspx?id=16159&prodid=41236&id2=1625 There was no air, no ego - here, beside us, helping Cordelia feel welcomed and safe, was a piece of Stratfest history itself. I could have talked with her forever, but she told me, and I quote, "I have to get to a little something called Cymbeline."
We walked around the Exhibition after it cleared, sadly for Cordelia, not finding any Cordelia clothes (only Regan's). By the time I found a picture of A Cordelia (Ms. Henry), Cordelia was engrossed in the lighting set. Aren't all kids?
Cordelia did find an interesting piece that I missed - a maquette there also had paper dolls, just like we do at Kids4Bard. Good find!
We had packed a lunch and set off to find a lunch spot, which would have been impossible, had I not had the Aveo that day. It is about half the length of the van. We ate, not on the river (yet) but near the playground. That was a sad temptation for Cordelia, at which I should have denied eating. She was so pretty and pink that day. I wanted her to stay that way for at least one show!
We made our way to the Festival Theatre for a preshow by performers in "Wanderlust." (thinking back now, it may have been prior to The Matchmaker...sorry) Wow - I've said it before, and I'll say it again: I love men who can sing. Tom Rooney made me swoon - dang what a voice (ahem, he is Pistol in Henry V, too)! A few lines into his song, Cordelia touched my arm and asked, "momma - do you have goosebumps yet?" I didn't at that point, but didn't take long. Go see this show - I'm trying to find room in my calendar to go. The songs are beautiful, at times funny, but always from the heart. I need to go. Here is a sample: http://www.youtube.com/watch?v=CbnmMB_LUwc&feature=plcp
We found our seats and waited for 42nd Street to start. I'll say here that for the past 2 hours, I had heard how beautiful Cordelia was, how well behaved and how wonderfully dressed she was for the theatre. Yes, we dress to impress (well, she does at any rate).
42nd Street was even better the second time. Say it with me now, "I love men who can sing!" Goosebumps galore. It was not the awesome storyline which made me cry at the end of the first half - it's the pure talent. I cried - like Oprah says, "ugly cry." It was even worse this day because I turned to my daughter to see her eyes - her eyes - they shined, they glowed, they danced along with those on stage...her eyes were like when a mom looks at her baby for the first time (I'm a midwife, I've seen that look; I know that look). Ugly cry commenced...
To sum up second half, Cordelia decided to take tap dance this year (jazz, but louder?). She thought Julian Marsh was quite mean. She loved the costumes, loved everything about the entire production (glitz, shiny, sparkly)...no swords. Wow, what a difference.
Stratford has a Q & A almost every week with a member of the cast or crew. We made sure we always put in a question or 2. During the q&a with Sean Arbuckle (who played the mean Julian Marsh), the lightbulb moment which became Kids4Bard was born. Nya:weh! Cordelia wanted to show Sean our sets and paper dolls for Dream. (bio for Sean: http://www.stratfordfestival.ca/OnStage/productions.aspx?id=16148&prodid=41220&id2=809)
He was so sweet and kind to her. He sat down and really looked and asked her questions about them. Cordelia loved talking with him about what we had done as a group. I was very glad she was able to talk with 'him' because she really didn't like Mr. Marsh. Sean was very kind. We also talked about Titus and swords (I can't stay away from them). Quickly, I told him about the birthday present I have planned for Braeden (I will not reveal it here). Sean knows the person with whom it is arranged. Cordelia asked what it was, but I told her she was no good with secrets!
I loved Sean Arbuckle in Titus Andronicus last year. He makes quite a sexy Pirate King this season. http://www.youtube.com/watch?v=gI3SMDDT3Xg Costumes are gorgeous, too (steampunk). Fabulous, fabulous production.
In Sean's left hand are pictures which Cordelia coloured just for him, to thank him for taking the time to talk with us. He said he'd put them on his fridge. She wants to check...[On Cordelia's head is her mask which we bought prior to Henry V a couple days earlier. She didn't take it off. Note her blue bracelets, too. There's a story coming up about them.] I would go into more detail about this particular time but I fear I would come across as too schoolgirlish. It was heavenly. Nya:weh, Sean (and Christi for help setting this up)!
As we were going back to buy some food at the Festival Theatre (I finally had a good parking spot), I saw someone and stopped walking. I found Cordelia's hand and brought her back with me.
"Bruce (Dow)?" "Yes, do I know you?" I said that I was Cordelia's mom, from HIS q&a (earlier than Sean's). He remembered her (everyone remembers at least her name). He was as wonderful as I thought he would be. I said to Lisa M. once that Bruce is one guy I would love just to sit and talk with over coffee (I don't drink coffee but that's besides the point). He told me a few times how 'gorgeous' Cordelia was and how pretty she looked. We talked about the show and he told me how good of a job as a mom I was doing having my children involved in theatre (he even remembered the question from Dakota on his q&a about The Laramie Project).Thank you, Bruce! They were off for a quick dinner and I forgot to take a picture. I hope I get a chance for coffee one day. And get a picture. Bruce, by the way, was Herod in Jesus Christ Superstar last year. My first introduction to him was in The Tempest - he took the time to chat up the audience during a taping - he was hot and we were freezing. Here he is as King Herod on Broadway: http://www.youtube.com/watch?v=KmycB0hIOn4 Yowza!
We bought a fruit salad and a pop and headed to the river for a picnic. My brilliant daughter even remembered to pack a game for us to play between plays. That's "Guess Who" in front of her.
I took lots of pictures - some pretty good ones, too. But my favourites are Cordelia dancing her heart out. Oh, to be young and not care what people think....
But here's one of my nature-favourites
Keep in mind, it is now almost 8:00. We arrived in Stratford at 10:30. It was a full day, just us two. She was still in a good mood! Impressive feat for an 8 year old girl.
The Matchmaker was so funny! It had clockwork timing. It reminded me of, "Boing Boing" (someone please tell me they have seen that play - and mean it). Cara Ricketts was incredible - her body language difference between Cymbeline's Innogen and this comedic role was amazing. Mike Shara (who I have only seen in Shakespearean plays - Titus and Cymbeline) was hilarious. The whole cast was perfect. It was a blast! The costumes were so pretty (hat shop, ladies). This was my first comedy on stage since Boing Boing, probably (back when I was Cordelia's age). What a wonderful change from tragedies and war. No singing, but it didn't matter. We all laughed until our bellies hurt. There are lines that ring true, though - so pay attention when you go. Chick Reid - I love her, and Tom McCamus...and Seana McKenna (ashamed to say, my first play with her in it -WAIT - I may have seen her as Lady Macbeth - I feel better now), Geraint Wyn Davies (Claire Lautier's husband)...Take a look at the cast.. wonderful, all of them. http://www.stratfordfestival.ca/OnStage/productions.aspx?id=16267&prodid=41223
I had asked Ms Cara Ricketts if she wouldn't mind meeting Cordelia by the stage door to look at our sets, too. She was wonderful to Luke and I after Cymbeline, so I was quite happy to talk with her again.
My favourite part of the night (outside that look in Cordelia's eyes) was when we were in between the stage doors. Cordelia was on the floor sorting out the dolls and putting up the bristol board sets, other cast members walking by and commenting. I asked Cordelia if she could remember the 2 lines from A Midsummer Night's Dream, "Set your heart at rest:/The fairy land buys not the child of me." Then as if from a dream, beside me, Cara continued, "His mother was a votaress of my order:/And, in the spiced Indian air, by night..." I know my mouth fell open...it wasn't only that she knew and remembered the lines (she said she played the part a few times), but it was her heart that was in the words as she spoke them....as with Ms. Henry's story and Cordelia's eyes, I will never forget that moment. THAT gave me goosebumps.
Cara was as sweet (or sweeter, if possible) with Cordelia as she was with Luke. She brought Cordelia (and me as her tag-along) backstage. Oh my goodness! We met up with her dresser - and Master Tailor - Marilou who gave us a quick rundown of how the wardrobe department switches the wardrobe of the 4 shows at that Theatre (Matchmaker, Henry V, 42nd Street, and Much Ado). We learned COOL facts (like it takes 16 hours to get the costumes ready for 42nd Street after a performance, there are 20-40 costume items that need to be fixed after each show, and that one of the shirts with chainmail from Henry V weighs 25 pounds). The artistic people behind the scenes are as much stars as those on the stage, in my opinion. The acting is just the final aspect we, as the audience, sees. I'll put up 2 pictures.
This is from 42nd Street. The debate is: Is this taller than her or heavier than her? It is exquisite. Marilou talked about how hard the show is on the costumes because of the vibrations, and it made it tricky to balance these out.
The stars themselves - Marilou, Cara, and Cordelia. Look at Cordelia's bracelets. Now, look at Cara's. The night before our Girl's Day, we went to the mall. Cordelia wanted to buy something for Cara to thank her for taking her time to talk with her. She asked me to buy 2 - so they would match.
My first annual Girl's Day in Stratford was more than I could have daydreamed. TWO, sorry THREE men who sing and 'do' Shakespeare (and as I was talking to Cara, put 'abs' on my Trifecta list due to the Shirtless Wonders in Cymbeline and Titus.
Cordelia lasted about 7 minutes in the car, then she passed right out.
When I drive home with sleeping children after a day in Stratford, I sing, or daydream, or listen to music. But this night, like I said, there was nothing left to daydream. We met Sean and Bruce (I love men who can sing). I heard from a few people that it was a "great!" thing I was doing, having the kids involved in theatre & Kids4Bard. My soul was filled beyond capacity watching the utter pure, unrelenting talent I saw on stage - and saw the birth of a dream in my daughter. We got backstage, saw the Festival Theatre stage from the other side (oh, I forgot to talk about Cara's eyes when she pointed it to the stage...her tone even changed. It became more hushed and soft - she truly reveres that stage). Cordelia got to wear a HAT from a real SHOW. In all honesty - there was nothing else that could have made that one day more perfect.
But, my favourite, favourite part - was spending the day with my daughter, enjoying theatre with her - not forcing it on her. It changed her this day. I know it did. I think it changed me, too. It solidified the choices I have made about making the arts a priority for the children. (I'll blog more about that later). I spent the day with my daughter, sharing something that is my 'safe' spot - my theatre therapy. My daughter and I became closer that day because of it.
I wasn't a girly-girl. My Darling Cordelia is bringing it out in me (that being said, I love ball gowns - but where does one have a chance to wear them). What would I be if I didn't give birth to a girl in 2004? Would last Saturday have happened? I doubt it, and my life would be less than what it is today - not just because it was 'Stratford,' but because it was my daughter and me, intertwining our hearts in the love of girlhood (and theatre) in Stratford.
I wasn`t a girly-girl. I am still not one - not the lace and bows-type anyway. I honestly did not wear any pink until I after I had Cordelia (2004). She brought colour to my world in many ways, not just clothing. I hate clothes shopping. She loves it. When we went to Value Village the other day to buy me some new, smaller, dress pants (yay), she was so patient making suggestions, and not taking offence when I didn`t agree with her choices. She`ll be great in retail when she grows up.
But, before I go into this Girl`s Day, let me tell you about Henry V, 2 days prior. It was a long day for the younglings. They had to get up at 5 to go with Jeff to London to drop off the older boys at the Youth Leadership Camp at Western.
We were so lucky to have a quick meet & greet with my favourite Stratfest actress, the incredibly talented, Claire Lautier. We all enjoyed meeting her, even if for a few moments. The kids were so tired (Cordelia fell asleep in the 2nd half of Henry V and missed the kissing scene - only girly part of the entire play), so they didn`t talk too much. But now, they feel they have 2 Claires in their lives - Claire Senko (their director and great friend), and Claire Lautier (Stratford Claire). They are both equally wonderful in our books. http://www.stratfordfestival.ca/OnStage/productions.aspx?id=16168&prodid=41226&id2=869
Back to Girl`s Day:
Cordelia won tickets to Stratford Festival`s `The Matchmaker.`She had me submit a picture of us at the same age, explaining why we are the perfect match.
We don`t just look alike. She doesn`t have a sister. No chance one is coming her way, either. So, we are both stuck in a testosterone-filled house. Lovely.
Cordelia has taken dance the past couple of years (acro, then ballet) and she was unsure of what to take this coming year. I thought taking her to see 42nd Street on the matinee could lean her to my side (I favoured jazz).
So, with this in mind, I planned a Girl`s Day in Stratford. Just us.
The day started with a trip to the Stratford`s Exhibition (my 2nd time through). The legendary Martha Henry was presenting an hour long discussion about her career, including her history with Stratfest. She had played Cordelia - I was sad I had forgotten that, and didn`t introduce my Cordelia to her. http://www.stratfordfestival.ca/OnStage/productions.aspx?id=11162&prodid=36314&id2=1423
We were very blessed all day, starting with hearing her speak. Sitting beside us (on original under-the-tent-chairs), a woman had made room for Cordelia and I (Cordelia sat on my lap). No problem - she`s still little. We made small talk with the woman beside us who was so kind. She was FULL of information about the festival. Ms Henry had given this woman a bag of what turned out to be Stratford Festival season programmes from each season Ms. Henry had worked. (And, we also got an early peak at Mr. Sean Arbuckle, who snuck in last minute to the presentation. Stratford people are awesome - Learn! Learn! Learn!)
Our new friend turned out to be Ann Stuart, current Stage Manager for Cymbeline, but who has worked on over 70 productions. She also works with Ms. Henry at the Birmingham Conservatory. http://www.stratfordfestival.ca/OnStage/productions.aspx?id=16159&prodid=41236&id2=1625 There was no air, no ego - here, beside us, helping Cordelia feel welcomed and safe, was a piece of Stratfest history itself. I could have talked with her forever, but she told me, and I quote, "I have to get to a little something called Cymbeline."
We walked around the Exhibition after it cleared, sadly for Cordelia, not finding any Cordelia clothes (only Regan's). By the time I found a picture of A Cordelia (Ms. Henry), Cordelia was engrossed in the lighting set. Aren't all kids?
Cordelia did find an interesting piece that I missed - a maquette there also had paper dolls, just like we do at Kids4Bard. Good find!
We had packed a lunch and set off to find a lunch spot, which would have been impossible, had I not had the Aveo that day. It is about half the length of the van. We ate, not on the river (yet) but near the playground. That was a sad temptation for Cordelia, at which I should have denied eating. She was so pretty and pink that day. I wanted her to stay that way for at least one show!
We made our way to the Festival Theatre for a preshow by performers in "Wanderlust." (thinking back now, it may have been prior to The Matchmaker...sorry) Wow - I've said it before, and I'll say it again: I love men who can sing. Tom Rooney made me swoon - dang what a voice (ahem, he is Pistol in Henry V, too)! A few lines into his song, Cordelia touched my arm and asked, "momma - do you have goosebumps yet?" I didn't at that point, but didn't take long. Go see this show - I'm trying to find room in my calendar to go. The songs are beautiful, at times funny, but always from the heart. I need to go. Here is a sample: http://www.youtube.com/watch?v=CbnmMB_LUwc&feature=plcp
We found our seats and waited for 42nd Street to start. I'll say here that for the past 2 hours, I had heard how beautiful Cordelia was, how well behaved and how wonderfully dressed she was for the theatre. Yes, we dress to impress (well, she does at any rate).
42nd Street was even better the second time. Say it with me now, "I love men who can sing!" Goosebumps galore. It was not the awesome storyline which made me cry at the end of the first half - it's the pure talent. I cried - like Oprah says, "ugly cry." It was even worse this day because I turned to my daughter to see her eyes - her eyes - they shined, they glowed, they danced along with those on stage...her eyes were like when a mom looks at her baby for the first time (I'm a midwife, I've seen that look; I know that look). Ugly cry commenced...
To sum up second half, Cordelia decided to take tap dance this year (jazz, but louder?). She thought Julian Marsh was quite mean. She loved the costumes, loved everything about the entire production (glitz, shiny, sparkly)...no swords. Wow, what a difference.
Stratford has a Q & A almost every week with a member of the cast or crew. We made sure we always put in a question or 2. During the q&a with Sean Arbuckle (who played the mean Julian Marsh), the lightbulb moment which became Kids4Bard was born. Nya:weh! Cordelia wanted to show Sean our sets and paper dolls for Dream. (bio for Sean: http://www.stratfordfestival.ca/OnStage/productions.aspx?id=16148&prodid=41220&id2=809)
He was so sweet and kind to her. He sat down and really looked and asked her questions about them. Cordelia loved talking with him about what we had done as a group. I was very glad she was able to talk with 'him' because she really didn't like Mr. Marsh. Sean was very kind. We also talked about Titus and swords (I can't stay away from them). Quickly, I told him about the birthday present I have planned for Braeden (I will not reveal it here). Sean knows the person with whom it is arranged. Cordelia asked what it was, but I told her she was no good with secrets!
I loved Sean Arbuckle in Titus Andronicus last year. He makes quite a sexy Pirate King this season. http://www.youtube.com/watch?v=gI3SMDDT3Xg Costumes are gorgeous, too (steampunk). Fabulous, fabulous production.
As we were going back to buy some food at the Festival Theatre (I finally had a good parking spot), I saw someone and stopped walking. I found Cordelia's hand and brought her back with me.
"Bruce (Dow)?" "Yes, do I know you?" I said that I was Cordelia's mom, from HIS q&a (earlier than Sean's). He remembered her (everyone remembers at least her name). He was as wonderful as I thought he would be. I said to Lisa M. once that Bruce is one guy I would love just to sit and talk with over coffee (I don't drink coffee but that's besides the point). He told me a few times how 'gorgeous' Cordelia was and how pretty she looked. We talked about the show and he told me how good of a job as a mom I was doing having my children involved in theatre (he even remembered the question from Dakota on his q&a about The Laramie Project).Thank you, Bruce! They were off for a quick dinner and I forgot to take a picture. I hope I get a chance for coffee one day. And get a picture. Bruce, by the way, was Herod in Jesus Christ Superstar last year. My first introduction to him was in The Tempest - he took the time to chat up the audience during a taping - he was hot and we were freezing. Here he is as King Herod on Broadway: http://www.youtube.com/watch?v=KmycB0hIOn4 Yowza!
We bought a fruit salad and a pop and headed to the river for a picnic. My brilliant daughter even remembered to pack a game for us to play between plays. That's "Guess Who" in front of her.
But here's one of my nature-favourites
The Matchmaker was so funny! It had clockwork timing. It reminded me of, "Boing Boing" (someone please tell me they have seen that play - and mean it). Cara Ricketts was incredible - her body language difference between Cymbeline's Innogen and this comedic role was amazing. Mike Shara (who I have only seen in Shakespearean plays - Titus and Cymbeline) was hilarious. The whole cast was perfect. It was a blast! The costumes were so pretty (hat shop, ladies). This was my first comedy on stage since Boing Boing, probably (back when I was Cordelia's age). What a wonderful change from tragedies and war. No singing, but it didn't matter. We all laughed until our bellies hurt. There are lines that ring true, though - so pay attention when you go. Chick Reid - I love her, and Tom McCamus...and Seana McKenna (ashamed to say, my first play with her in it -WAIT - I may have seen her as Lady Macbeth - I feel better now), Geraint Wyn Davies (Claire Lautier's husband)...Take a look at the cast.. wonderful, all of them. http://www.stratfordfestival.ca/OnStage/productions.aspx?id=16267&prodid=41223
I had asked Ms Cara Ricketts if she wouldn't mind meeting Cordelia by the stage door to look at our sets, too. She was wonderful to Luke and I after Cymbeline, so I was quite happy to talk with her again.
My favourite part of the night (outside that look in Cordelia's eyes) was when we were in between the stage doors. Cordelia was on the floor sorting out the dolls and putting up the bristol board sets, other cast members walking by and commenting. I asked Cordelia if she could remember the 2 lines from A Midsummer Night's Dream, "Set your heart at rest:/The fairy land buys not the child of me." Then as if from a dream, beside me, Cara continued, "His mother was a votaress of my order:/And, in the spiced Indian air, by night..." I know my mouth fell open...it wasn't only that she knew and remembered the lines (she said she played the part a few times), but it was her heart that was in the words as she spoke them....as with Ms. Henry's story and Cordelia's eyes, I will never forget that moment. THAT gave me goosebumps.
Cara was as sweet (or sweeter, if possible) with Cordelia as she was with Luke. She brought Cordelia (and me as her tag-along) backstage. Oh my goodness! We met up with her dresser - and Master Tailor - Marilou who gave us a quick rundown of how the wardrobe department switches the wardrobe of the 4 shows at that Theatre (Matchmaker, Henry V, 42nd Street, and Much Ado). We learned COOL facts (like it takes 16 hours to get the costumes ready for 42nd Street after a performance, there are 20-40 costume items that need to be fixed after each show, and that one of the shirts with chainmail from Henry V weighs 25 pounds). The artistic people behind the scenes are as much stars as those on the stage, in my opinion. The acting is just the final aspect we, as the audience, sees. I'll put up 2 pictures.
This is from 42nd Street. The debate is: Is this taller than her or heavier than her? It is exquisite. Marilou talked about how hard the show is on the costumes because of the vibrations, and it made it tricky to balance these out.
My first annual Girl's Day in Stratford was more than I could have daydreamed. TWO, sorry THREE men who sing and 'do' Shakespeare (and as I was talking to Cara, put 'abs' on my Trifecta list due to the Shirtless Wonders in Cymbeline and Titus.
Cordelia lasted about 7 minutes in the car, then she passed right out.
When I drive home with sleeping children after a day in Stratford, I sing, or daydream, or listen to music. But this night, like I said, there was nothing left to daydream. We met Sean and Bruce (I love men who can sing). I heard from a few people that it was a "great!" thing I was doing, having the kids involved in theatre & Kids4Bard. My soul was filled beyond capacity watching the utter pure, unrelenting talent I saw on stage - and saw the birth of a dream in my daughter. We got backstage, saw the Festival Theatre stage from the other side (oh, I forgot to talk about Cara's eyes when she pointed it to the stage...her tone even changed. It became more hushed and soft - she truly reveres that stage). Cordelia got to wear a HAT from a real SHOW. In all honesty - there was nothing else that could have made that one day more perfect.
But, my favourite, favourite part - was spending the day with my daughter, enjoying theatre with her - not forcing it on her. It changed her this day. I know it did. I think it changed me, too. It solidified the choices I have made about making the arts a priority for the children. (I'll blog more about that later). I spent the day with my daughter, sharing something that is my 'safe' spot - my theatre therapy. My daughter and I became closer that day because of it.
I wasn't a girly-girl. My Darling Cordelia is bringing it out in me (that being said, I love ball gowns - but where does one have a chance to wear them). What would I be if I didn't give birth to a girl in 2004? Would last Saturday have happened? I doubt it, and my life would be less than what it is today - not just because it was 'Stratford,' but because it was my daughter and me, intertwining our hearts in the love of girlhood (and theatre) in Stratford.
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